Isolate and cut objects out of photos.
Remove every background by hand.
Enhance photos for a polished look.
Edit photos for creative effects.
Repair and revive damaged photos.
Remove difficult backgrounds.
Show clothes without the mannequin.
Turn images into scalable graphics.
Add realistic shadows to photos.
Correct and enhance photo colors.
Edit product photos for online stores.
Enhance your wedding memories.
Written by Sumaiya Simran
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Whether you’re a beginner experimenting with photo correction or a professional polishing client work, exposure control is a key part of creating visually compelling images. You’ve likely encountered dull, dark photos or blown-out highlights that ruin otherwise great shots. Fortunately, Photoshop provides precise and powerful tools to adjust exposure and restore balance to any image.
In this guide, you’ll discover how to change exposure in Photoshop using multiple methods tailored to your skill level and project needs. Whether you need quick fixes or advanced manual adjustments, we’ve got it all covered — plus some pro tips to keep your edits clean, consistent, and reversible.
Exposure refers to the amount of light in your image — how bright or dark it appears. An underexposed image is too dark, losing details in shadows, while an overexposed image is too bright, washing out highlights.
Photoshop doesn’t have a single “exposure fix” button. Instead, it provides various tools that let you adjust exposure manually or automatically, giving you full control over tonal balance and brightness distribution.
Now, let’s look at the most effective ways to change exposure in Photoshop.
This is one of the most user-friendly ways to change exposure in Photoshop — perfect for beginners or fast fixes.
Once you understand how this works, you’ll want to experiment with more detailed options, like Camera Raw.
For those who work with RAW images or want greater flexibility, Camera Raw Filter is a powerhouse tool.
For rapid corrections, Camera Raw offers deeper dynamic range adjustments than standard layers.
This is the simplest method, but not always the best for professional results.
This tool changes the light uniformly and doesn’t distinguish between shadows, midtones, or highlights. For more advanced tonal control, try Curves.
Curves is the most advanced exposure tool in Photoshop — giving you full control over tones from shadows to highlights.
Use the Targeted Adjustment Tool (hand icon) to click directly on the image and adjust specific tones.
Curves require more practice, but offer unparalleled control for expert-level editing.
If your image has bright skies but dark foregrounds (or vice versa), this tool helps recover lost detail.
This tool is ideal for balancing exposure in high-contrast scenes like sunsets, backlighting, or interiors with windows.
Next, let’s explore histogram-based editing using Levels.
Levels allows precise control by adjusting black, gray, and white points based on the image histogram.
Once you’ve mastered Levels, try combining it with other methods like Curves or Camera Raw for hybrid exposure control.
Each method has its strengths. Choose based on the image’s needs, your workflow style, and the level of control required.
Exposure adjustments in Photoshop are essential for improving image quality, saving overexposed or underexposed shots, and creating mood through lighting. By understanding each method’s strengths, you can match your tools to the task — whether it’s a quick Instagram fix or a detailed commercial retouch.
Use the Exposure Adjustment Layer. It’s fast, intuitive, and works well for most basic edits.
Yes. Tools like Camera Raw, Curves, and Shadows/Highlights let you correct both too-bright and too-dark areas with precision.
Not exactly. Brightness adjusts light uniformly, while exposure tools like Curves and Camera Raw offer more nuanced control over specific tonal ranges.
Not if done non-destructively using Adjustment Layers or Smart Objects. Avoid flattening or overwriting your original file.
Always correct exposure first, as it affects how colors appear and behave during color grading.
This page was last edited on 24 June 2025, at 5:50 pm
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